Skip to main content

Samsara

Samsara, Maya, the illusion, what is not real. There is a non-transcendentalist interpretation of the concept which does not appeal to a substantial reality, or truth, or whatever final and definite referent for things (i.e. an exomorphism), for the universe, and for us. Samsara is the trivial pursuit and pain of most human lives. Bound to nothing, to empty air, to obsolete myths, withered patterns of emotional protocols that maintain life at the high price of repetitive nothingness and misery. It is not only the trait of modern life, old inertias of transcendental thought carry the same burden, a hunt for phantoms, a feast of crazy magpies stealing the shining shit and thinking it a golden treasure. Heavy human sleepwalking, chained to our physiology and proud of it.

Once you see the patterns of the eternal return of the movements of life, the endless repetition, the perennial dreams of choice, then the game is over, and you find yourself out, as good as dead, dead for the others. How to live then? For what purpose? Out of compassion for the sleepers? There is not a general valid answer for these questions. You have to find out for yourself, i.e. die many times, and resurrect. How hard are the ways of Zoe, Life-Intelligence, how precarious our shelters: broken hearts are the only secure way to yonder shores. For a broken heart is silence, and at every instant from silence spontaneously springs a pristine renewed Life-Intelligence, without purpose, or its equivalent, with infinite purposes.

Comments

Popular posts from this blog

Limen et Continuum

  Existence is Encounter. Meeting at the limen. In the limen, the masks disappear, that is, the basic intuitions of identities, such as the identity that I feel and think in relation to the tree that I see in front of me. The identity of the tree is a projection of mine: the unity of my process of perceiving the tree generates a mask in me, the ghost of a limited unity separated from everything else. The simplest form of intuitive understanding of masks and limen is given to us by numbers. Numbers intuitively express the liminal tension that is Existence. A little etymological note. Rythmos in Greek means flow. Arythmos (number) is what does not flow, what remains solidified. Numbers express the liminoid, and flow, rhythm, expresses the liminal. A rhythm becomes liminoid when we can trace patterns in it, that is, when we can construct masks of identities. Mathematics has spoken of flow using the Latin word “continuum”, the continuous. All modern science, since Leibni...

Ritual, Scientific Experiment and Truth

 Human rituals have their roots in animal behavior, and the animal pattern has its roots in the need for repetition of living organisms, in the cyclical structure of physiological actions. At the human level, ritual behavior involves a delimitation of space and time, as well as a different meaning of both with respect to the spaces and times of everyday experience. From the ritual ceremonies of cold societies, we observe the care and thoroughness of the shaman to determine with precision the spaces, times and elements that intervene in the rite. Sacred space delimits the world, not only as a place of action, but also the scope of meaning of the things contained in that space. It is a space loaded with meaning: there is an order in things. Time itself acquires its meaning in relation to this order of things, and cyclically closes the space in the “tempo” of the rite, a tempo that is a symbol of the tempo of the World. What is not in the rite or is not referable to the rite has no re...

Metalanguages are formal metaphors

  In a logic class, the professor tells his students: "Yesterday, while talking with my Sufi gardener about happiness, we ended up talking about metalanguages, because he said that orchids are 'chambers where light plays between amorous encounters.' I told him: 'You have to be a poet to talk about poetry.' He replied: 'You just have to be human.'" In what way can we say that my gardener is proposing that every metalanguage is a formalized metaphor for its object language and what would be the metaphor for arithmetical addition? Furthermore” -he asks-how does this little narrative show that Kurt Gödel was a Platonist? One student answers: “The gardener uses orchids as a metaphor for biological reproduction, and from this he makes a second-order metaphor at the human level, calling reproduction a loving encounter. The gardener is a Sufi; in Sufi ontology, the word 'encounter' is used as equivalent to 'existence,' a double meaning (Wujud)....