Skip to main content

Infinite and Apeiron


George Cantor is credited with the conceptual construction called transfinite numbers, an endomorphization of the concept of infinite within the system of the real numbers (ℝ). The tool for the construction was the creation of a synthetic representation of the infinite as a whole, familiar to the Platonist Weltanschauung, whose condition of possibility was the natural number, i.e., individuation: infinite is then the result of an endless aggregation. Of course such a representation is not the actual representation of an intuition but the representation of a continuing iterative process, which by its closed condition (the finite character of the algorithm of counting), seems to have a meaning. Once the infinite is an endomorphic concept of the system, any composition with it will be endomorphic, including the notion of transfinite number.
Infinite aggregates can be constructed either by endless iterative processes or by the postulation of properties to which infinite extensions must follow. But the aggregation of units is a synthesis of a different sort than the one obtained by the postulation of a property which has some supposed extension of individuals. In the first case, we proceed inductively, and the whole obtains its meaning from the finitude of the algorithm, even if it cannot be intuited in its infinite performance. In the second, we proceed holistically, and the parts obtain their meaning in relation to the a priori meaning of the whole, i.e., the property. In the first case, we reificate the whole, in the second, the units or parts.
When the parts are themselves processes of aggregation, the reification gets of second order and all sorts of paradoxes grow, for now we are violating both the intuition of iteration (iterating infinities), and the intuition of property (the finite representation of a pairing, for we apply the possibility of the construction of the concept to infinite extensions). In this framework, we meet all sort of nonsensical postulates that mathematics forces us to take dogmatically (for intuitively does not follow) under the disguise of theorems that follow from ontoteological axioms (axiom of substitution, choice, infinitude, union), such as: an infinite set has the same cardinality as one of its subsets, a postulate that can only have meaning under the reification of the extension of the set, metaphysically, or the reification of the iterative process in a non-intuitive scale, metaphysically also, beyond all life experience.

From a mythopoetical point of view, the concept of infinity is a representation of the concept of apeiron, whose form is conditioned by the ontoepistemology of the myths assigned to the space-time intuitions. When space-time is curved, infinity is bounded, i.e, finitized under a property. When space-time is linear, infinity is unbounded, finitized under a process of iteration. When space-time is liminal, infinity is just apeiron.

Comments

Popular posts from this blog

Limen et Continuum

  Existence is Encounter. Meeting at the limen. In the limen, the masks disappear, that is, the basic intuitions of identities, such as the identity that I feel and think in relation to the tree that I see in front of me. The identity of the tree is a projection of mine: the unity of my process of perceiving the tree generates a mask in me, the ghost of a limited unity separated from everything else. The simplest form of intuitive understanding of masks and limen is given to us by numbers. Numbers intuitively express the liminal tension that is Existence. A little etymological note. Rythmos in Greek means flow. Arythmos (number) is what does not flow, what remains solidified. Numbers express the liminoid, and flow, rhythm, expresses the liminal. A rhythm becomes liminoid when we can trace patterns in it, that is, when we can construct masks of identities. Mathematics has spoken of flow using the Latin word “continuum”, the continuous. All modern science, since Leibni...

Rhapsodies of Anima Mundi: Fear of Death

In the nascent dawn of consciousness, when the human spirit still danced in rhythmic harmony with the grand, elemental pulse of nature, the enigma of cessation—that profound silence we name death—arose as the most formidable of shadows. Yet, it was not then perceived as an absolute, terminal end in the stark, isolated sense we often conceive today. For those early societies, intimately imbricated in the vast and primordial canvas of the Anima Mundi, death was seamlessly woven into the very ur-tapestry of existence as a continuity, a fluid dissolution into the great soul of the world, or a joyous return to a collective paradise, utterly devoid of the strict, solitary individuation that modernity has, unwittingly, imposed upon us. This is not merely the clinical apprehension of biological cessation, but rather a primordial panic before the void, a visceral anguish in the face of the "I's" dissolution and the potential loss of all that imbues life with meaning. Confronted...

Shamans and the development of Social Masks

  The growing dissociation of new social persons (social masks) from a single primitive mask that brings them together occurs due to the specialization processes that require increasingly complex economic actions. From the mask of the shaman, compatible with the masks of man or woman, but not with the child mask, unfold the social masks of the founding hero, the priest (priestess), the poet, or depositary of narrative memory, the doctor, the meteorology controller, and even the holy king. The shamanic powers are either the result of a search or of a spontaneous happening within a human lineage, which from the point of view of the professionalism of the economic action of shamanism is irrelevant, since it is the work of a specialist for communication with the Anima Mundi. In fact, the lineage transmission of social persons is not exclusive to shamanic professional practice. The shaman is not an individual person any more than the social person of the old man can be. I...