Silence is more than repose or the mere absence of sound, for repose has a duration, and absence is the negation of something. This obvious facts were made completely clear and explicit by Cage in his wonderful 4’33’’ . Thus, it should make more sense to talk about silences , in plural, avoiding the common reification of a concept that usually expresses an indefinite absence and metaphysically grows to express a final and pervasive state of the cosmos. In music, there is one kind of silence whose function is orchestrational: we decide which voices intervene, and the absence of a voice at a given moment in a piece implies choices of color and texture. Furthermore, as we read in Berlioz ( Treatise upon Orchestration ), silence can be obtained through orchestration: With the view of expressinig a lugubrious silence, I have in a cantata divided the double-basses into four parts ; causing them thus to sustain long pianissimo chords, beneath a decrescendo ...
On the symbolic constructions of human identity.