Myths
contain exomorphisms, which determine the limit conditions, the fundamental ontological
representations, as well as endomorphisms which develop them in narratives and
connect the liminal representations to the everyday acritic knowledge of the
community, the Lebenswelt. By mythologization we have described the sequences
of exomorphisms and/or endomorphisms, and we have characterized myths by this
linguistic action, but there is another linguistic process inverse to mythologization
which completes its operations: divinization. Mythologization rendered familiar
the unknown. Divinization renders unknown the familiar. The process is
specially clear in the social persona of the ancestor, although it can be
extended to objects or to the world at large. As time passes, the persona of
the ancestor becomes less and less familiar. In the cases where the particular
ancestor made a strong imprint in the memory of the group, by means of a successful
civilizing action (Maui, Prometheus, Cecrops, Yao, Manu, etc.), he becomes progressively
a hero, semi-god, a god, a supreme god, and finally a Deus Otiosus (as Eliade call
them). These two processes are at work in myth, and are simply expressions of
the active interpretation of life experience (mythologization), and the work of
oblivion (or entropy) which is divinization, a return to the unfocused, to
apeiron.
Existence is Encounter. Meeting at the limen. In the limen, the masks disappear, that is, the basic intuitions of identities, such as the identity that I feel and think in relation to the tree that I see in front of me. The identity of the tree is a projection of mine: the unity of my process of perceiving the tree generates a mask in me, the ghost of a limited unity separated from everything else. The simplest form of intuitive understanding of masks and limen is given to us by numbers. Numbers intuitively express the liminal tension that is Existence. A little etymological note. Rythmos in Greek means flow. Arythmos (number) is what does not flow, what remains solidified. Numbers express the liminoid, and flow, rhythm, expresses the liminal. A rhythm becomes liminoid when we can trace patterns in it, that is, when we can construct masks of identities. Mathematics has spoken of flow using the Latin word “continuum”, the continuous. All modern science, since Leibni...
Comments
Post a Comment
Please write here your comments