The mythical-ritual actions that center the order of the city on this mythical plane are those of the agrarian festivals, which cover the extension of the astronomical year and follow a triple cyclical pattern based on the birth of the divine child-king, his subsequent nuptials as an adult, and his death and resurrection. It is a staging, which can be complex and sophisticated, of something whose emotional content is extremely simple, a simplicity from which its effectiveness derives. Its extreme simplicity has saturated the possible additional interpretations, in fact, the pre-valuation of these actions, their understanding at a perfectly delimited prehuman level and conditioned by their evolutionary success, makes their symbolic expressions redundant, although it is precisely through this redundancy (that myths and art produce over and over again) how these representations reach their status as the center of social meaning, a position that is guaranteed by their basic emotional ...
On the symbolic constructions of human identity.