Skip to main content

The phantasmagoria of the universe is not due to its ephemeral nature

 The ego or individual person is a narrative phantom. The individuation of life only occurs at the level of that identity narrative, and it is not even the work of a single individual because the language in which it is elaborated has not been created by him (her). The narrative of the individual person rather expresses some communicative clichés characteristic of a specific space-time community and some learned mental structures (apart from the neurophysiological conditioning of the species). Life-intelligence is never the action of an individual, precisely, the fact that the individual is expendable or exchangeable allows the adaptation and continuity of that life-intelligence.

It is not the time-space impermanence of the individual, the passing character of his existence that makes the world a phantasmagorical representation, but the unidimensionality and the inevitable fragmentation of the representation. One-dimensionality is given by the mental construction of the representation: the mind is a selective function that leaves out everything that is outside the general purpose of life, its self-perpetuation. On the other hand, it is a fragmented representation: science can only project onto the Apeiron the random fragments of knowledge that in the course of time have been feeding its theories.

The ephemeral nature of objects, their deterioration, and change show their mental constitution. We have not yet found objects in the universe that can be considered permanent (final or exomorphic representations) for the simple reason that any mental construct is a ghostly superposition on an Apeiron.

Comments

Popular posts from this blog

Limen et Continuum

  Existence is Encounter. Meeting at the limen. In the limen, the masks disappear, that is, the basic intuitions of identities, such as the identity that I feel and think in relation to the tree that I see in front of me. The identity of the tree is a projection of mine: the unity of my process of perceiving the tree generates a mask in me, the ghost of a limited unity separated from everything else. The simplest form of intuitive understanding of masks and limen is given to us by numbers. Numbers intuitively express the liminal tension that is Existence. A little etymological note. Rythmos in Greek means flow. Arythmos (number) is what does not flow, what remains solidified. Numbers express the liminoid, and flow, rhythm, expresses the liminal. A rhythm becomes liminoid when we can trace patterns in it, that is, when we can construct masks of identities. Mathematics has spoken of flow using the Latin word “continuum”, the continuous. All modern science, since Leibni...

Metalanguages are formal metaphors

  In a logic class, the professor tells his students: "Yesterday, while talking with my Sufi gardener about happiness, we ended up talking about metalanguages, because he said that orchids are 'chambers where light plays between amorous encounters.' I told him: 'You have to be a poet to talk about poetry.' He replied: 'You just have to be human.'" In what way can we say that my gardener is proposing that every metalanguage is a formalized metaphor for its object language and what would be the metaphor for arithmetical addition? Furthermore” -he asks-how does this little narrative show that Kurt Gödel was a Platonist? One student answers: “The gardener uses orchids as a metaphor for biological reproduction, and from this he makes a second-order metaphor at the human level, calling reproduction a loving encounter. The gardener is a Sufi; in Sufi ontology, the word 'encounter' is used as equivalent to 'existence,' a double meaning (Wujud)....

Rhapsodies of Anima Mundi: Fear of Death

In the nascent dawn of consciousness, when the human spirit still danced in rhythmic harmony with the grand, elemental pulse of nature, the enigma of cessation—that profound silence we name death—arose as the most formidable of shadows. Yet, it was not then perceived as an absolute, terminal end in the stark, isolated sense we often conceive today. For those early societies, intimately imbricated in the vast and primordial canvas of the Anima Mundi, death was seamlessly woven into the very ur-tapestry of existence as a continuity, a fluid dissolution into the great soul of the world, or a joyous return to a collective paradise, utterly devoid of the strict, solitary individuation that modernity has, unwittingly, imposed upon us. This is not merely the clinical apprehension of biological cessation, but rather a primordial panic before the void, a visceral anguish in the face of the "I's" dissolution and the potential loss of all that imbues life with meaning. Confronted...